EVERYBODY at the Santa Fe Playhouse

ByTommie C. Curtis

Jun 29, 2022 , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
Review: EVERYBODY at the Santa Fe Playhouse
Malcolm Stokes, Emily Neifert, David Stallings,
Koppani Pusztai, and Antonio Miniño
Courtesy of C. Stanley Images

What transpires when we die? What really issues though we are alive? And why never we get to know the responses to both of those people inquiries right up until it is way too late?

A modernized take on a fifteenth century morality perform — the authentic likes of which is most likely typically only commonly acknowledged in theatre background courses — at this time will take on the aforementioned inquiries while concurrently offering Santa Fe audience with a pleasant (and totally available) 90 minutes of theatre. Everybody, created by Brandon Jacobs-Jenkins, is presently in the midst of a run at the Santa Fe Playhouse, and this reviewer encourages audiences to make a point of checking it out when they can.

For these who may perhaps have in no way encountered, or probably have slept because the last time they were being exposed to the first, Everyone is a get on what is arguably one particular of the additional popular morality plays, Everyman, in which the titular character fundamentally examines what they have valued through existence as they near dying, and no matter whether any of it does indeed subject.

It is not also a lot of a spoiler to say that Most people follows the similar standard plot, but with drastically extra present-day language and ways to the themes, as nicely as a pretty fun and unique twist: five actors within just the core ensemble understand the roles of the titular Everyone, as properly as all those of allegorical people these types of as Kinship, Things, and Friendship — the sorts of items individuals benefit during everyday living, but that could pretty well allow them down when it seriously matters. The show is effectively “solid” by lottery at the commence of every effectiveness, with the actors learning the benefits in genuine time alongside with the viewers. This main ensemble, like (in alphabetical order), Antonio Miniño, Emily Neifert, Koppani Pusztai, David Stallings, and Malcolm Stokes (who gained the job of Everyone at the effectiveness this reviewer attended), unquestionably shines in this output. Each actor is dynamic, compelling, and regularly enjoyable to observe – it is perhaps even the kind of output just one may want to see many instances, just to see how these gifted performers get on all of the distinctive roles.

In addition to this ensemble, the role of Loss of life is engagingly performed by Dharm Andrew Segal, and Usher, who serves as a tutorial into the entire world of this play, is performed by a very warm and welcoming Bianca Thompson (who also served as intimacy director and boy or girl advocate on the generation) Jess Haring gives a shocking and strong portrayal of Adore, and quite a few young men and women (Annabelle Briggs, Mazen Litz, Rosa Maria Marsh-Martinez, and Amaya Thompson) share the significant showcased function of Time.

The Playhouse continues its craze of potent technological style and design, with lighting by Rob Siler, costumes by Lauren Chacon, Sound by Deon Custard, scenic/projection style by Andrew Freeburg, and props/puppet design by Katy Williams. Everybody was phase managed by Andy Gustke and Madrone Matysiak it was directed by Zoe Lesser and Playhouse Inventive Director Robyn Rikoon.

Critical info from the Santa Fe Playhouse web-site:

RUNTIME: 90 minutes


Performance Occasions: Thursday, Friday, and Saturday 7:30PM and Saturday and Sunday 2:00PM via July 10th.

“Written content Disclosure: This manufacturing incorporates conversations about demise, id, race, faith, sexuality, mental health issues, and existential questions, one particular transient mention of incest, occasions of profane and ableist language, and scenes with actors in a state of undress down to undergarments. Make sure you also be aware that this manufacturing has the use of strobe lighting consequences and drinking water-primarily based haze.

In mild of the modern incident that transpired at a overall performance of Consider Me Out on Broadway in which an viewers member illegally and non-consensually took a image of an actor carrying out nudity and uploaded it to the world-wide-web, Santa Fe Playhouse would like to state unequivocally that having pics and video clips through this production is strictly prohibited. Violators will be escorted out of the theater, questioned to delete any content material of the display, and could no more time be welcome in this house. The basic safety of our group is our very first priority, and we thank you for your cooperation.”

For far more data, remember to pay a visit to https://santafeplayhouse.org/situations/every person/